{"id":26343,"date":"2018-10-01T14:00:00","date_gmt":"2018-10-01T19:00:00","guid":{"rendered":"http:\/\/www.discoverclarksville.com\/articles\/?p=26343"},"modified":"2018-10-01T07:23:45","modified_gmt":"2018-10-01T12:23:45","slug":"amy-sherald-shares-inspiration-artistic-process-during-apsu-public-lecture","status":"publish","type":"post","link":"https:\/\/www.discoverclarksville.com\/articles\/2018\/10\/01\/amy-sherald-shares-inspiration-artistic-process-during-apsu-public-lecture\/","title":{"rendered":"Amy Sherald shares inspiration, artistic process during APSU public lecture"},"content":{"rendered":"<h2>Austin Peay State University (APSU)<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-324279\" title=\"Austin Peay State University - APSU\" src=\"http:\/\/www.clarksvilleonline.com\/wp-content\/uploads\/2015\/10\/Austin-Peay-State-University-APSU.jpg\" alt=\"Austin Peay State University - APSU\" width=\"250\" height=\"64\"\/><strong>Clarksville, TN<\/strong> &#8211; Amy Sherald, already well known before launching to fame with 2018\u2019s official portrait of former First Lady Michelle Obama, spoke to a nearly filled Austin Peay State University Morgan University Center Ballroom on Thursday about her development and rise as a portrait artist.<\/p>\n<div id=\"attachment_434841\" style=\"width: 490px\" class=\"wp-caption aligncenter\"><a target=\"_blank\" href=\"http:\/\/www.clarksvilleonline.com\/wp-content\/uploads\/2018\/10\/Amy-Sherald-shares-inspiration-artistic-process-during-Austin-Peay-State-University-public-lecture.jpg\"  class=\"thickbox no_icon\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-434841\" class=\"size-medium wp-image-434841\" title=\"Amy Sherald speaks at Austin Peay State University.\" src=\"http:\/\/www.clarksvilleonline.com\/wp-content\/uploads\/2018\/10\/Amy-Sherald-shares-inspiration-artistic-process-during-Austin-Peay-State-University-public-lecture-480x320.jpg\" alt=\"Amy Sherald speaks at Austin Peay State University.\" width=\"480\" height=\"320\"\/><\/a><p id=\"caption-attachment-434841\" class=\"wp-caption-text\">Amy Sherald speaks at Austin Peay State University.<\/p><\/div>\n<p><!--more--><\/p>\n<p>Her portraits focus on issues of race and identity in the American South, and she shared with the audience, many of them art students, how African-American history and the representation of the black body in historic and modern images influence her work.<\/p>\n<p>Sherald was at Austin Peay State University as part of the Center of Excellence for the Creative Arts Visiting Artist Speaker Series.<\/p>\n<p>After college \u201cI really didn\u2019t know what I was doing,\u201d Sherald told the audience. \u201cI spent a year looking at other artists\u2019 work and tried to figure out if I was in a room with these artists, what kind of work would I make?<\/p>\n<p>\u201cHow can I make work that would be historically relevant?\u201d she continued. \u201cBecause that\u2019s what I needed in order to be a part of the greater conversation. For me, I got into this to leave behind a legacy.\u201d<\/p>\n<p>Sherald looked to history, both the nation\u2019s and her own, to find that relevancy.<\/p>\n<h3>Family Photos and Daguerreotypes<\/h3>\n<p>She was drawn to the childhood photo portraits of her sisters and her. One shows the three posed, as most family portraits of the 1970s do, hands on shoulders with the sisters ordered youngest to oldest. They\u2019re in Sunday-best dresses.<\/p>\n<p>\u201cI\u2019m drawn to this image because it was taken close to the time I was starting to have the impulse to create,\u201d Sherald said. \u201cIn a lot of ways, my existence had already been codified through language and imagery.<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" title=\"Michelle Obama portrait artist Amy Sherald speaks at Austin Peay\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/cw4I_1nHZY4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<p>\u201cI was already covered with words and labels, and an already long list of limitations based on my race and gender.\u201d<\/p>\n<p>She similarly was drawn to a photo of her grandmother, which you can see here with the Obama portrait (<a target=\"_blank\" href=\"http:\/\/icm-tracking.meltwater.com\/link.php?DynEngagement=true&amp;H=oGJ1pkZyysOST8btnWeAdWfazdP60O3PLkuOZioW2RiI0IVhceklyoB6m3ZnpRgZdFM4138vgwdRiGJkXoHiHSQNe13OltJVvPKU3DeAN8B9pBO0V1X2Sh7aZvGCB93e&amp;G=0&amp;R=http%3A%2F%2Fnpg.si.edu%2Fblog%2Flooking-amy-sheralds-portrait-michelle-obama&amp;I=20180928202747.00000095ed44%40mail6-94-usnbn1&amp;X=MHwxMDQ2NzU4OjViYWU4ZWMxNDU1MjY2ZGY3ZmM0OTFlYjs%3D&amp;S=Fv-TlqzDTEixVzGN3ZlFRVBMiIopEu5Vutd0ngKxGxU\" >http:\/\/npg.si.edu\/blog\/looking-amy-sheralds-portrait-michelle-obama<\/a>).<\/p>\n<p>Daguerreotypes from the 1800s also captivated her: \u201cI became fascinated with the dignified daguerreotypes and photographs of black families, soldiers, men and women.\u201d<\/p>\n<p>[320left]She showed a famous photo of abolitionist Frederick Douglass. Douglass was photographed 160 times and considered photography a crucial aid in ending slavery (a good article is here: <a target=\"_blank\" href=\"http:\/\/icm-tracking.meltwater.com\/link.php?DynEngagement=true&amp;H=oGJ1pkZyysOST8btnWeAdWfazdP60O3PLkuOZioW2RiI0IVhceklyoB6m3ZnpRgZdFM4138vgwdRiGJkXoHiHSQNe13OltJVvPKU3DeAN8B9pBO0V1X2Sh7aZvGCB93e&amp;G=0&amp;R=http%3A%2F%2Fwww.wbur.org%2Fartery%2F2016%2F07%2F21%2Fpicturing-frederick-douglass&amp;I=20180928202747.00000095ed44%40mail6-94-usnbn1&amp;X=MHwxMDQ2NzU4OjViYWU4ZWMxNDU1MjY2ZGY3ZmM0OTFlYjs%3D&amp;S=OK5FPp2kbCGIIvfoGpKe4EdIAniZthZGUWftVHU19oQ\" >http:\/\/www.wbur.org\/artery\/2016\/07\/21\/picturing-frederick-douglass<\/a>).<\/p>\n<p>\u201cFrederick Douglass and W.E.B. Du Bois took advantage of the camera and employed it specifically to change the way black people are seen,\u201d Sherald said. \u201cHe engaged the politics or representation through photographic images. His images were more than just vanity sittings.\u201d<\/p>\n<h3>The Empowerment of Polariods<\/h3>\n<p>\u201cFor me photography became this vernacular language, capturing people in their immediacy,\u201d Sherald said. \u201cSo, I began to connect these photographs and daguerreotypes along with snapshots of African-Americans in everyday life with paintings.<\/p>\n<p>\u201cThey become symbolic to me of a history of American blacks that were not rendered in paint but in vibrant and intimate photographs,\u201d she added. \u201cBefore it became fashionable to tweet, Instagram or snap our own carefully staged reality with selfie sticks and flattering filters, these families empowered themselves with Polaroids to curate their own lives.\u201d<\/p>\n<p>Sherald paints her stylized portraits from photos she\u2019s taken of people she finds walking the streets, mostly in Baltimore, where she lives.<\/p>\n<p>\u201cWhen I meet my models, I\u2019m just out doing what I do.\u201d<\/p>\n<h3>A Pressure for Interpretation<\/h3>\n<p>Displaying her painting \u201cInnocent You, Innocent Me,\u201d she said, \u201cThe images are simple. There\u2019s not a lot going on in the images, but they exert a pressure for interpretation, because they\u2019re made in a response to the world I was given.\u201d<\/p>\n<p>Regarding \u201cInnocent You, Innocent Me\u201d (you can look at it here, <a target=\"_blank\" href=\"http:\/\/icm-tracking.meltwater.com\/link.php?DynEngagement=true&amp;H=oGJ1pkZyysOST8btnWeAdWfazdP60O3PLkuOZioW2RiI0IVhceklyoB6m3ZnpRgZdFM4138vgwdRiGJkXoHiHSQNe13OltJVvPKU3DeAN8B9pBO0V1X2Sh7aZvGCB93e&amp;G=0&amp;R=https%3A%2F%2Ftheartstack.com%2Fartist%2Famy-sherald%2Finnocent-you-innocent-m&amp;I=20180928202747.00000095ed44%40mail6-94-usnbn1&amp;X=MHwxMDQ2NzU4OjViYWU4ZWMxNDU1MjY2ZGY3ZmM0OTFlYjs%3D&amp;S=kV3L7tDg2icxm_yzozMcfKoL2xOPvHM723SudG_JD7U\" >https:\/\/theartstack.com\/artist\/amy-sherald\/innocent-you-innocent-m<\/a>), \u201cWhen it comes to black masculinity, it\u2019s impossible to define it without the trappings and the stereotypes that are actuated to portrayals of black men in our society. That perception controls their reality.\u201d<\/p>\n<h3>Obama Portrait Transcends Personality<\/h3>\n<p>[320right]Michelle Obama selected Sherald to portray her for the National Portrait Gallery at the Smithsonian. Sherald helped Obama pick the dress for the portrait and snapped photos, which the artist worked from.<\/p>\n<p>The resulting portrait, as the National Portrait Gallery notes, reveals an archetypal view of the subject, emphasized by the flattened, stylized forms.<\/p>\n<p>\u201cThis portrait holds a different kind of symbolism, and therefore transcends beyond the personality of our former first lady, queen,\u201d Sherald told the audience. \u201cThis portrait of the first lady pauses at the sight of contradiction where black creativity complicates and resists what blackness is supposed to be, just as photography has done and continues to do.\u201d<\/p>\n<h3>To Learn More<\/h3>\n<p>To see Amy Sherald\u2019s work, visit her website at <a target=\"_blank\" href=\"http:\/\/icm-tracking.meltwater.com\/link.php?DynEngagement=true&amp;H=oGJ1pkZyysOST8btnWeAdWfazdP60O3PLkuOZioW2RiI0IVhceklyoB6m3ZnpRgZdFM4138vgwdRiGJkXoHiHSQNe13OltJVvPKU3DeAN8B9pBO0V1X2Sh7aZvGCB93e&amp;G=0&amp;R=http%3A%2F%2Fwww.amysherald.com&amp;I=20180928202747.00000095ed44%40mail6-94-usnbn1&amp;X=MHwxMDQ2NzU4OjViYWU4ZWMxNDU1MjY2ZGY3ZmM0OTFlYjs%3D&amp;S=VTW3OZUmIqzCvDJp-eHtFYszeZrKdM_VPs3dw8jCzgo\" >www.amysherald.com<\/a><\/p>\n<p><a target=\"_blank\" href=\"http:\/\/icm-tracking.meltwater.com\/link.php?DynEngagement=true&amp;H=oGJ1pkZyysOST8btnWeAdWfazdP60O3PLkuOZioW2RiI0IVhceklyoB6m3ZnpRgZdFM4138vgwdRiGJkXoHiHSQNe13OltJVvPKU3DeAN8B9pBO0V1X2Sh7aZvGCB93e&amp;G=0&amp;R=http%3A%2F%2Fwww.amysherald.com&amp;I=20180928202747.00000095ed44%40mail6-94-usnbn1&amp;X=MHwxMDQ2NzU4OjViYWU4ZWMxNDU1MjY2ZGY3ZmM0OTFlYjs%3D&amp;S=VTW3OZUmIqzCvDJp-eHtFYszeZrKdM_VPs3dw8jCzgo\" >To learn more about CECA\u2019s Visiting Artist Speaker Series, visit <\/a><a target=\"_blank\" href=\"http:\/\/icm-tracking.meltwater.com\/link.php?DynEngagement=true&amp;H=oGJ1pkZyysOST8btnWeAdWfazdP60O3PLkuOZioW2RiI0IVhceklyoB6m3ZnpRgZdFM4138vgwdRiGJkXoHiHSQNe13OltJVvPKU3DeAN8B9pBO0V1X2Sh7aZvGCB93e&amp;G=0&amp;R=https%3A%2F%2Fwww.apsu.edu%2Fart-design%2Fexhibitions-speakers%2Fvisiting-artists.php&amp;I=20180928202747.00000095ed44%40mail6-94-usnbn1&amp;X=MHwxMDQ2NzU4OjViYWU4ZWMxNDU1MjY2ZGY3ZmM0OTFlYjs%3D&amp;S=xrUxLd-k32T6x-7y0GF_ugq9_hAZR3XUOYJkTPF80EE\" >www.apsu.edu\/art-design\/exhibitions-speakers\/visiting-artists.php<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Austin Peay State University (APSU) Clarksville, TN &#8211; Amy Sherald, already well known before launching to fame with 2018\u2019s official portrait of former First Lady Michelle Obama, spoke to a nearly filled Austin Peay State University Morgan University Center Ballroom on Thursday about her development and rise as a portrait artist.<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[32569,23,589,5594,262,825],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4xGYI-6QT","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.discoverclarksville.com\/articles\/wp-json\/wp\/v2\/posts\/26343"}],"collection":[{"href":"https:\/\/www.discoverclarksville.com\/articles\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.discoverclarksville.com\/articles\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.discoverclarksville.com\/articles\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.discoverclarksville.com\/articles\/wp-json\/wp\/v2\/comments?post=26343"}],"version-history":[{"count":1,"href":"https:\/\/www.discoverclarksville.com\/articles\/wp-json\/wp\/v2\/posts\/26343\/revisions"}],"predecessor-version":[{"id":26344,"href":"https:\/\/www.discoverclarksville.com\/articles\/wp-json\/wp\/v2\/posts\/26343\/revisions\/26344"}],"wp:attachment":[{"href":"https:\/\/www.discoverclarksville.com\/articles\/wp-json\/wp\/v2\/media?parent=26343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.discoverclarksville.com\/articles\/wp-json\/wp\/v2\/categories?post=26343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.discoverclarksville.com\/articles\/wp-json\/wp\/v2\/tags?post=26343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}