Patricia Racette as Cio Cio San in madame Butterfly. (Photo: Marty Sohl/Metropolitan Opera)
The Met Live in HD continues to captivate a worldwide audience, bringing live, high definition productions of the world’s greatest opera to millions of worldwide viewers. The series continues with Puccini’s hauntingly beautiful love story, Madama Butterfly, which will be screened at several Nashville venues on Saturday, March 7 at 12 noon (CST).
Opry Mills Stadium 20 Plus IMAX, 570 Opry Mills Drive and Green Hills Stadium 16, 3815 Greenhills Village Drive, both in Nashville, will screen the live broadcast. In addition, for those who will miss the Saturday showing, Green Hills will screen encore showings on March 18 at 7 p.m. and March 18 at 1 p.m. Running time is three hours and 21 minutes, with two intermissions.
Patricia Racette returns to the title role of Anthony Minghella’s stunning production, a new classic of the Met repertory, opposite Marcello Giordani. Conducting is Patrick Summers, with production by Anthony Minghella, Patricia Racette and Marcello Giordani.
Madame Butterfly is set in 19th century Nagasaki, and tells the story of Lieutenant B. F. Pinkerton, U.S.N., who is about to contract a “Japanese marriage” with Cio-Cio-San, called Butterfly by her friends. Even as Pinkerton explores the little house in which he plans to live with Butterfly, his plans fall into immediate disfavor with the American Consul Sharpless, who fears that what may be a mere matter of pastime to the American Naval lieutenant, may have been taken seriously by the Japanese girl and, if so, may prove a matter of life or death with her. In truth, Butterfly is in love, and has renounced faith and family to be with Pinkerton, placing her life in his hands.
Three years elapse, a long time since Pinkerton has left Butterfly with the promise to return to her “when the robins nest.” When the curtain rises, after an introduction, in which another Japanese theme is employed, Suzuki, although convinced that Pinkerton has deserted her mistress, is praying for his return. Butterfly is full of faith and trust.
In point of fact, Pinkerton really is returning to Nagasaki, but with no idea of resuming relations with his Japanese wife. Indeed, before leaving America he has written to the Counsul asking him to let Butterfly know that he is married to an American wife, who will join him in Nagasaki.
Night passes; dawn is breaking. When Suzuki awakes, she persuades the poor little “wife” to go upstairs to rest, which Butterfly does only upon Suzuki’s promise to awaken her as soon as Pinkerton arrives. Pinkerton and Sharpless appear. Suzuki at first is full of joyful surprise, which, however, soon gives way to consternation, when she learns the truth. Pinkerton himself, seeing about him the proofs of Butterfly’s complete loyalty to him, realizes the heartlessness of his own conduct. Pinkerton who cannot bear to face the situation, rushes away, leaving it to the Counsul to settle matters as best he can.
Butterfly has become aware that people are below. Suzuki tries to prevent her coming down, but she appears radiantly happy, for she expects to find her husband. The pathos of the scene in which she learns the truth is difficult to describe.
The Counsel and Mrs. Pinkerton withdraw. In a scene of tragic power, Butterfly mortally wounds herself with her father’s sword, the blade of which bears the inscription, “To die with honour when one can no longer live with honour,” drags herself across the floor to where the boy is playing with his toys and waving a little American flag, and expires just as Pinkerton enters to take away the son whom thus she gives up to him.
The Met Live in HD has been seen in almost 850 venues, with several performances remaining in the current season. A special presentation of The Audition, a documentary about the Met’s 2007 National Council Auditions, will be seen in select theaters. Don’t miss the chance to experience the Met at your local movie theater!